Trailblazing Style Clothier Jenny Kee Charts Her Legacy From Her Blue Mountains House

“It used to be this sort of joyous second after I opened Flamingo Park,” remembers a full of life, brightly dressed Jenny Kee. She’s busy pulling out cushy silk scarves and chunky knits patterned with Australian natural world, from fiery crimson waratahs (her totem of hers, she says) to iconic tabards with massive, shiny kangaroo and koala motifs, at her house. at Blackheath.

“Folks knew the place Australia used to be after Linda and I began our inventive clothes designs, as a result of they had been all in response to the wonderful thing about this nation,” she says fondly.

An icon of Australian model design, Kee opened the Flamingo Park get dressed salon in Sydney’s Strand Arcade in 1973 with long-time collaborator Linda Jackson. The Bondi-born artist and dressmaker, who has lived in the similar space within the Blue Mountains for almost 50 years, is now targeting growing an archive.

“It is my legacy as I head into my 76th 12 months. It is one thing I’ve to do for myself,” she says. mattress sheet.

Of the loads of patterns that Kee has created, he particularly likes one who he calls “Kali Waratara.” It is a team of fire-red waratahs, their favourite local flower, that experience change into one thing of a self-portrait.

“I used to be gazing the waratahs come after the fires within the 80s after I did a chain of artwork that was my Waratah and Blackboy Serie. And it has change into the root for a great outfit that I created with [costume designer] Chloe Simcox. It’s my of entirety. It is about destruction and regeneration, and that is the reason what Kali is as a goddess.”

Kee’s decades-old designs are all the time in call for: museums, model designers, and match planners. This 12 months, Kee lent his striped Uni Ounces design to the Sydney Competition for an paintings known as the aunts. Massive inflatable ‘aunties’, Marge and Una, stand at the South Eveleigh grounds as a tribute to Kee’s contribution to Australian model and in reminiscence of 2 particular girls who helped her stitch her garments within the early days of her occupation .

“Each aunts had been devoted to creating issues remaining,” Kee explains. “And I believe like my designs are undying, and that is the reason one thing I assumed in within the ’80s as smartly… I sought after to create this superb Honest Isle stripe and make it Australian, and that design used to be born.”

The colourful, amorphous creatures clad in knits (a Kee trademark) are colourful beacons in an in a different way nondescript global, Kee says. “I believe colour is set being constructive and feeling unfastened and glad and I believe the arena is an overly atypical position at the moment… You could have glorious designers like Romance Used to be Born and Jordan Gogos doing superb colourful artwork however in It is in reality very easy in the market.

His Blue Mountains studio (slightly below a two-hour force from Sydney’s CBD) seems to be out over the Grose Valley, “an overly wealthy and residing a part of the mountains,” says Kee. “I are living a easy lifestyles and I’m all the time impressed as a result of I’m surrounded through the wonderful thing about nature. Yoga, Pilates, swimming each day, strolling each day, that is crucial to me,” he says. “Happening the street and seeing a mattress of hundreds of flannel plants is probably the most gorgeous factor.”

Jenny Kee: The Aunts is on view in South Eveleigh, Sydney, till January 29.


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